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supported by 4 fans who also own “We Like it Dangerous”
After I discovered GUNSHIP with UNICORN, I went through all their material in a rush. They're whole discography is great, and I think this is the greatest. This album haunts me. I can't listen to it once. Even if I turn it off, I still hear it echoing in the back of my mind. GUNSHIP has a mastery of the bridge that reaches the level of mastery in this album that's just unrivaled. If you get only one album from GUNSHIP, get this one.
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supported by 4 fans who also own “We Like it Dangerous”
In a sea of synth artists, it's easy to overlook a lot of really excellent releases. Powernerd delivers the goods while maintaining a unique identity. His use of dubstep is minute but blissful. There are way too many instances of awe-inspiring electronics on here to go through. Just get this in your ears
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FLOPPY DISK OVERDRIVE
by MASTER BOOT RECORD
On his 8th record, Master Boot Record offers a soup-to-nuts reboot of his previous work.
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VIRUS.DOS
by MASTER BOOT RECORD
Victor Love returns with a new batch of wild-eyed, revved-up computer music.
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On her debut LP, Corin reinvents electronic music according to her own whims.
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Glacial Medicine (Deluxe)
by Jaws That Bite
Composed over the last three years, and honed live on stage, “Glacial Medicine” is bursting with wonderfully warped and dreamlike beats.
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Stern, stiff-limbed and cyberpunky, the latest from ph4nt re-imagines Gary Numan as a 21st Century anarchist.
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